The Official Newsletter of UV/FX
UV/NEWS logo May 2007
Photo: UV installation at "Hard 8" in downtown Los Angeles, CA. Click on the image to view a larger version. (UV/FX Designer: DC Leslie Pringle)
Hard 8 installation
 
 
 

Case Study: Hard 8

UVFX's D.C. Leslie-Pringle, inventor of big-beam ultra-violet lighting and fluorescent applications, recently completed the design and installation of the Downtown LA showroom and lounge for - 'HARD 8' - a T-shirt design and printing company marketing worldwide and closely tied to the international DJ circuit and the Haus music scene.

Housed in an old 4 story building on Hope and 12th. (once a Cadillac Showroom) three hundred yards from Staples Arena, the space is 2500 sq ft. in an 'L'-shape with a 20 ft. high ceiling supported on 10 peripheral columns bordered with Roman/Greco relief moldings.

Intended to serve as both a daytime retail showroom and to double as an Event Space for DJ - CD releases, event after-parties, fashion shows etc., the initial design criteria was established by the colossal scale and, as a border-molding virtually circumnavigated the entire room and the tops of the peripheral columns - it suggested a ceiling-size window frame allowing one to look through and out into space.

Lighting both upwards for an illuminated sky and downwards for the showroom displays, called for a dual lighting system serving both purposes for day and/or night use. The overall design also included a VIP mezzanine floor in the cup of the 'L', a giant DJ stage with dressings rooms below for the T-Shirt customers, and a divider system and lighting rig to separate the printing process from the showroom aspect, but which would never-the-less be visible to retail customers.

The sky, a fantasy Milky Way of stars and star-clouds with two seemingly random nebula explosions and a moon is called; 'Spirits of the Night' and to the careful observer two energy forms, one decidedly feminine and the other masculine, can be seen to seemingly reach across the entire 'L'-shaped sky to touch in an explosion of light beams.

Spattered stars and airbrushed fluorescent star-clouds and nebula explosions, hand painted column leaf moldings, red-line sky-window frame and relief frieze moldings on several walls, were all illuminated with 32 x 40 watt BLB TL's built onto a steel-encased light beam continuously connected via the Saturn-like rings around the paper balloon lamps suspended down the center of the 'L'. A Track light system was fitted below this to light the T-Shirt displays on the floor below. Electrical current is transferred through the same beam/rings configuration from a single power input point providing for 4 switches to control the 4 light systems, but only the track-lights are dimmable.

The overall look suggests an elongated spaceship hovering beneath an intense starfield.

Please let us show you how we can make UV/FX work for you and your projects!

 
 

UV/FX Creates Twin Dual Image Scenic Pieces
For The Fall Out Boy Tour

When scenic designer Jon Craine was given the task of amping up the design of the Fall Out Boy's "Young Wild Things" 2007 Fall tour, he turned to UV/FX to help bring his ideas to life. Craine, a former UV/FX scenic artist and designer and now frequent collaborator, was brought aboard the tour by show director Andrew Logan to add scenic elements to lighting designer Alex Skowron's set. Logan wished to add some depth and visual dynamics to an otherwise straightforward rock & roll set. Having been introduced to the concept of ultraviolet scenery by Craine while the two were working on a proposal for another project, Logan believed the effect could lend itself well to the Fall Out Boy's show.

After conversations with the design and management team, Craine offered a dual image scenic design that transformed the stage from a storybook forest to a twisted and contorted nightmarish landscape through the application of ultraviolet light and UV/FX's custom UV-responsive clear scenic paints and coatings. Craine worked with UV/FX in the realization of the dual 18' wide x 28' tall muslin backdrops, each containing an "invisible" UV scene painted on top of the visible forest scene. Because of Craine's extensive knowledge of UV scenic effects and his long-running relationship with UV/FX, he was able to put together a strong design that featured UV/FX's signature Dual Image effect. Needless to say, UV/FX successfully executed the scenery, which is wowing audiences everywhere as the Fall Out Boy continues across the country on their fall tour.

Image under ambient light Image under UV light
Under Ambient Light Transformed Under UV Light



©2007 UV/FX Scenic Productions, Inc. All Rights Reserved.